Paintings
New Gerald Desmond Bridge Series
I started making paintings at the Port of Long Beach in 2013 after I heard about the imminent demolition of the beautiful old Gerald Desmond Bridge that had carried Los Angeles traffic over the sprawling port since 1968. Devoting time to observe and paint in the landscape was my way of bidding farewell to a familiar friend I had known since childhood. In 2017, as the construction of the replacement bridge was underway, I, along with three fellow artists, was granted regular access to the worksites of the new bridge to record the immense structure’s slow but steady rise. This rare opportunity to paint among the hundreds of talented tradespeople working on the replacement bridge eventually shifted my sense of loss to one of deep respect for the collective effort required to bring such a complex project to fruition. My paintings—themselves constructions of color, shape, and rhythm—interpret fleeting moments in the lives of both bridges, the intricate construction developments, the shifting light of day and season, and the ever-changing landscape of the port. These scenes are now obscured by the imposing structure of the new bridge, inaccessible and lost to history. As such, they stand as witnesses to the passage of time and are tributes to the incalculable creative spirit behind this landmark project.
Two Bridges Seen from Pier T (Blue Dumpster 1), 2018-19, Oil on paper, 11 x 15 in.
Transferring the I-Beam, 2019, Oil on canvas, 11 x 14 in.
Block and Boats, Morning, Sept. 2018, Oil on paper, 11 x 15 in.
Movable Scaffolding System (MSS) West Approach, Morning, Nov. 2018, Oil on paper, 11 x 15 in.
Below the Bridge, Red Boat, Morning, 2018 Oil on paper, 11 x 15 in.
Two Bridges In the Rain (Blue Dumpster 2), 2018-19, Oil on paper, 11 x 15 in.
Echo Pier, April 2019, Oil on paper, 12 x 16 in.
Gerald Desmond Bridge and Middle Harbor, Afternoon, 2016, Oil on paper, 11 x 15 in.
North Side, Morning, View from Berth 55, Pico Avenue, Dec. 2018, Oil on paper, 11 x 15 in.
Jewel Box, At Pier T, Sept.-Dec. 2018, Oil on paper, 5 x 15 in.
Bad Air Day, Oil on paper, 7.5 x 11 in.
Foggy Morning and Red Boat, Pier T, 2018-19, Oil on paper, 11 x 15 in.
Morning Light, Middle Harbor and Pier T, 2018, Oil on canvas, 6 x 12 in.
Sketch, Tower 16 Misty Morning, Oil on paper, 7.5 x 11 in.
Fog Clearing over Long Beach, 2018, Oil on canvas, 12 x 16 in.
First View at Marker 7750, Morning, August 2018, Oil on paper, 11 x 15 in.
Second View at Marker 7750, Morning, Sept. 2018, Oil on paper, 15 x 11 in.
Long Shadows, Panorama Looking West, 2018-20, Tempera and crayon on paper, 11 x 16 1/2 in.
Dawn at Marker 7750, Dec. 2018, Oil on paper, 11 x 15 in.
Sketch, Tower 16 with Birds at sunrise, Oil on paper, 7.5 x 11 in.
MSS West Approach, Morning Winter Morning, 2018, Oil on paper, 11 x 15 in.
Hanjin and West Ramp counterweight, April, 2019 Oil on paper, 6 x 15 in.
Flying Panels and Palos Verdes Peninsula, 2019, Oil on canvas, 11 x 14 in
Flying Panel and Vincent Thomas Bridge, 2019, Oil on Paper, 7.5 x 11 in.
Concrete Pour (for Louise), Dec. 2018, Oil on paper, 11 x 15 in.
Exit Ramp and Palos Verdes Peninsula from the Easy-Up, oil on canvas, 6 x 12 in.
Lifting the I-Beam to Tower 16, 2019, Oil on paper, 11 x 15 in.